2025-26 Program Book - Other - Page 24
Tales from the Vienna Woods, Op. 325 (1868)
CONTINUED
The winds and strings alternate graceful figures, leading to a loud chord. An
elegant cello solo gives way to a flute solo reminiscent of bird songs, culminating
in the most unique aspect—the solo zither playing a ländler (a traditional German
partner dance in triple meter that is a bit heavier in style than a waltz, due to its
steps involving hopping and stamping). The final transition to the waltzes ends
with heavy orchestral chords.
All five of the waltzes have their own character, yet they are clearly related to each
other. There are short transitions between each, allowing the dancers to catch
their breaths and re-gather with their partners. Strauss’s sense of showmanship
is evident throughout, with the many contrasts in pacing, orchestration, and
melodic inflection, all with a witty character that social dancers must have found
delightful. The ending of this waltz is especially unique in its use of the zither, and
the range of sentimental nostalgia with free-wheeling energetic dancing would
have been much appreciated by party-goers and critics alike.
24 CLASSICAL SERIES BEETHOVEN'S SIXTH SYMPHONY
